Monday, January 31, 2011
Resolved for 2011: Read More Books
32 days of writing
"[Patchett's friend] told me that her teacher, a great and wise yogi, believed that whatever a person did with thoughtful consistency for the first 32 days of the year set the course for the entire year."If it was good enough for yogis and Patchetts, we thought it was good enough for us. I created a Facebook page and we went to work. Even though it was very helpful and got me into the habit of writing every day, I had no intention of doing it again. Because I didn't want another online obligation. I blog. I Facebook. I Tweet. I Litchat (this week I'm guest hosting all week!). I Blacklitchat. That seemed like plenty, but of course my same writer buddies convinced me we should do it again this year. Still had the Facebook page, so why not?
Today is day 31 of the 32-day writing challenge. I confess I did not write every day. HOWEVER, I did write a damn good synopsis for a story and climb back into my novel in a way that I hadn't in a very long time. I got back to the place where I'm totally immersed in the world of my novel and am more concerned about my characters than I am about some of the real people in my life. I think I'm about to make that breakthough of understanding I will need to get me to the end.
I believe that the more we do of a thing, the more we do of it. When we put our energies and our intentions and, to be less woo-woo, when we put our focus on something, we make more of it. Sitting on the couch watching TV = more sitting on the couch watching TV. Healthy eating = more healthy eating. Writing = more writing.
It's never too late to set your intentions for the future. If you want to write every day or most days, start writing today and then do some tomorrow and then some the next day.
Carleen Brice is the author of Orange Mint and Honey and Children of the Waters, which you should totally buy or check out from the library.
Friday, January 28, 2011
Girlfriends Dish on Encounters With Favorite Authors
From Kathryn Stockett to Norah Roberts to Margaret Atwood. Girlfriends give the scoop on their amazing run-ins with famous authors
Predicting a Mega Seller
First, there was Robert Bausch who, at a writer’s conference, read a part of my first novel and liked it so much, he offered to refer me to his agent. Knowing what I know now, I realize how generous his gesture was. Without his encouragement, I would not have any published books, and one day I hope I can inspire another writer the way he inspired me.
Also, once at a book festival where Scott Turow was the keynote speaker, I was complaining because the organizers wanted authors to sit for six hours straight signing books. I was buzzed on red wine and I said saying, “Do you think Scott Turrow is going to be signing books for six hours?” As soon as I said it, I noticed he was standing right next to me and surely overheard. Incidentally, he was in the trenches with the rest of us, signing for six hours, although naturally his line was longer than everyone else’s.
Two years ago, I’d read The Help by Kathryn Stockett and knew it was destined for great things. I ran into her in book festival and asked her to sign my first edition book. At the time she was at number 22 on the Times List and I remember saying to her, “You’re at 22 now but soon you’ll reach number one and my guess is you’ll stay on the list for a very long time.” I’ve never made that kind of prediction about a book before, but I was so certain about it.
Hunting down a Blurb
Three years later, with a publishing contract in hand, I asked once again if she would consider reading my book and offering a blurb. She said she was still busy. But to send the book, just in case she had an opening. I sent a Kinkos edition and gave her a year to read it. Several months later she emailed the four words an author wants to hear: I loved your book. Two weeks later she provided the blurb that graces the front cover of my book. I'm still basking in the glow of that praise.
Cindy Jones
--Susan McBride
Rubbing Elbows With Norah
You mean aside from the frequent conversations I have with the Jane Austen of my imagination? *grin* Oh, well, in that case, it would probably be at my very first RWA National Conference when I got to be an author assistant during the Literacy Signing and Nora Roberts/J.D. Robb was one of the authors I was assigned to help. I brought her glasses of water as she autographed books for hours (her line of fans was enormously long). She was unwaveringly polite to every single person who stopped by -- and to me, too. As an unpublished newbie at the time, I was so impressed by her down-to-earth manner and kindness and -- years later -- I still turn into a bit of a fan girl when I'm around her.
A Little Help From Al Franken
It's tough to pick but probably the most unusual one was in June 2003. I was at BEA to sign copies of my debut novel, The Thin Pink Line. The first day there, I signed about 200 copies in the publisher's booth and I was really feeling like hot stuff. I was too green for it to occur to me yet that of course 200 people would be willing to wait for me to sign books...for free. The next day was a different story. I was scheduled to sign in the main area where a lot of the signers are bestsellers, celebrities or big debuts. There, I had about 50 people in my line. Still respectable for an unknown author, I told myself. Then halfway through my signing, Al Franken - now a U.S. senator - sat down at the table next to mine to sign copies of his latest political-humor book. His line stretched clear across the convention hall. If signing lines were penises and I was a guy, you could say this made me feel inadequate. So once I was done with my respectable 50, rather than sit there twiddling my thumbs, I reached across the aisle and tapped Mr. Franken on the shoulder."Hey, Al," I said, "could you help a girl out here?"He looked a little stunned at the request, but then he grabbed a copy of my book and shouted at his waiting line, "When you're done here, go there and get" - pause while he checked for the book's title - "The Thin Pink Line."The lady who was in line next to have Mr. Franken sign a book looked at him with adoring eyes as she gushed, "Oh, Al, is The Thin Pink Line really that good?"Mr. Franken looked at her as though she might be nuts. "How the hell should I know?" he said.Not the greatest endorsement ever, I'll grant you, but that lady and several of the other people in Mr. Franken's line did come over to my table so I was not alone for my second half hour. And when my time was up? I regally offered my hand to Mr. Franken as though our positions in the world were reversed, and said, "Good luck. I hope this whole writing thing works out for you."
Lauren Baratz-Logsted
Antics With Margaret Atwood
When I was in graduate school, Margaret Atwood came to visit our department for a week. She's a major reason I became a writer so I was very excited to spend time with her and even more thrilled when the department put me in charge of her. From the second I picked her up at the airport she was full of questions. ("What are those trees? Why does your seatbelt do that? Why are there so many personalized license plates?) My roommates and I hosted a dinner party for her at our house. Half the department came over to help us cook.
When she arrived that night she said she'd already eaten, and spit an onion tart out into a napkin in front of the person who made it, claiming she thought it was a cheese tart. I tried to bond over being Canadian but she didn't seem to care. When she asked what my sign was and I said Virgo her face contorted into a sour grimace, "Uch," she said. "My ex-husband is a Virgo." I defended my sign, saying perhaps female Virgos were different than male Virgos, and while she was open to the argument, it wasn't the stimulating conversation I'd fantasized about having with her.
Toward the end of the week I was growing weary of her. While crossing the street on campus, a local, celebrated yet quirky poet was walking toward us. Ms. Atwood nudged me away so we wouldn't cross his path and said "Uch, there's that man again." I prayed he didn't hear, though I imagine he did. When the week was through, when I was done driving her places, escorting her to classes, and dining with her, I handed her my tattered-from-reading copy of "Dancing Girls," her short story collection which started me on my own writing path. As she signed it I imagined something like, THANKS FOR DRIVING ME EVERYWHERE or NICE TO MEET A FELLOW CANOOK or even GOOD LUCK WITH YOUR WRITING. Instead, I simply got MARGARET ATWOOD.
I still love her work. I even follow her on Twitter. And despite our nonbonding, Margaret Atwood gave me the gift of a story, and for that this Virgo is grateful!
Melissa Clark
A Goddess Among Writers
In 1985, I attended my first Romance Writers of America national conference. Writing under the pen name Ariel Berk, I had sold a few books, but I was insecure and overwhelmed by the conference. One afternoon, as I stood in the lobby of the hotel, I heard a gorgeous, Southern-accented voice boom through the air: "Ariel Berk! I love your books!" The voice belonged to Dixie Browning, whom I considered--and still consider--a goddess among writers. I had been devouring her books, hoping to learn something about how to write a fabulous romance novel from her. And there she was, telling me she loved *my* books! We later became good friends (and remained mutual fans.) However, that first meeting meant the world to me. Knowing that I could write books that Dixie Browning loved gave me some desperately needed confidence, the reassurance that I truly deserved to play with the big girls in the community of published authors.
Grisham, Conroy and the Pulpwood Queen
I'd been taking an Italian class for a while, and we had the same group for the most part for several semesters. The class was held in the upstairs of a local coffee shop, up a couple of flights of loud metal stairs. I'd been having back issues so had taken to sitting at the head of the table because the chair was perfect for my lower back. The class was resuming after a break and the time had been change, so I barely had time to get my kids to school and was going to be ten minutes late to the class no matter what, but I knew the instructor, was friends with the small group of fellow students, so it was no big deal.
So the first day of class I race over to the coffee shop, I trod loudly up the steps and decide I'm going to fling myself in front of the group and announce in loud Italian "I'm late!"
There's silence for a minute after my grand entrance, as fourteen faces stare at me (a packed class with several newcomers) and only then do I realize who is sitting in my seat but none other than John Grisham.
Oh, yeah, I felt like a real idiot...
My other encounter with an awesome author was at the Pulpwood Queens Girlfriends Weekend, which is a riotous time all to promote reading, literacy and discover some terrific books. Kathy Patrick launched the Pulpwood Queens after opening the world's only hair salon/bookstore--she thought a book club was in order, complete with gals dressing in kitschy wear like stretchy leopard print leggings and lots of hot pink. (Kathy now has a radio program promoting PQ books and authors too--you can find information on the PQ website).
The Girlfriends Weekend is one in which authors and members of the PQ gather and talk about books while raising money for literacy. It commences with a dinner at which the PQ members dine and the authors serve (and some cook). I didn't quite know what I was getting myself into and got in in time to be part of the serving crew for the dinner (which was delicious). We all donned aprons and along with us Pat Conroy, whose books I just devoured when I was younger, was amongst us authors. In between serving he regaled us with tales of his youth and he was so thoughtful and generous and entertaining, and he even insisted on buying copies of books from all of us authors in attendance. I thought that he really epitomized how someone can be a huge success but not forget from whence you come and really take the time to reach out and be kind to others starting out. It left a lasting impression on me.
Jenny Gardiner
Elinor Lipman Envy
I've had a few memorable encounters with authors!
Most recently, I met Elinor Lipman at an author event where she was being interviewed by my amazing friend (and fellow Girlfriends Book Club blogger) Ellen Meister. How I envied Ellen that day! But I, too, got my chance to have some one on one time with Elinor, and she was absolutely lovely! Just as charming and funny as you'd imagine if you've read any of her books. We spoke about how blocked I was with my work in progress and she gave me so much inspiration. I immediately went home and began writing!
Ayelet Waldman is always controversial, and at her reading for the paperback release for Love and Other Impossible Pursuits, she talked about the controversy head on. I thought it was so brave how she was able to be so thoroughly honest about every aspect of her life-- her writing is definitely all the better for it. A few months later, her husband Michael Chabon was speaking at the 92nd Street Y, so my agent and I went to hear him speak. After the presentation (which was funny and brilliant), everyone else was clamoring for a chance to speak with Michael, but my agent and I were the ones looking for Ayelet. She really is adorable and a true delight to be around.
I met Dani Shapiro at her reading for Black and White, a book I adored. She asked me what types of books I wrote and I was so embarrassed to tell her that I wrote chick lit, since I think her books are so literary and beautifully written. She immediately said: "I love chick lit! One of my best friends is a chick lit author, Jane Green." So, of course, I fell in love with her right then and there.
Aren't author crushes the best?!
Brenda Janowitz
Chit Chat with Michael Chabon
About 20 years ago, during the first Gulf War, I went to a sparsely attended reading at Powells. Everyone else was home watching the Scud Stud (a hot reporter talking about Scud missles). The reading was so sparsely attended there were only three of us in the audience: me and a guy accompanied by a woman with a waterfall of black curly hair.
Afterward I went up to tell the author, Louis B. Jones, in a shaky voice that I myself was working on a book. He pointed at the two other attendees and started to say, "Maybe you know..." I thought he thought Portland was so small I would just know random people. But no, it was Michael Chabon, and the four of us chatted for a bit. I went to work the next day feeling so marvelous and literary. Only no one there had heard of Jones and just one person had a vague recollection of having heard of The Mysteries of Pittsburgh.
This meeting with the future Pulitzer-prize winner looms large in my life and maybe not so large in Chabon's.
April Henry
Favorite Horror Novelist
Ernessa T. Carter
_____
New Year, New Resolutions by Brenda Janowitz
People ask me if I was jumping up and down when my agent sold my first novel in a two book deal. I am definitely a jump-up-and-down kind of gal when it comes to good news, but I didn’t jump. Didn’t even bounce. I was just so shocked by the whole thing. I really wanted to write a book, so I wrote a book, and then I got an agent and she actually sold the darn thing. I was too stunned to really react to anything, other than to tell my agent that she should accept the deal.
Now, publishing is a whole different world. If you read our last cycle of posts, you know that even established authors are having trouble getting book deals these days. It used to be that if you were represented by an agent, you had a really good chance of getting a book deal. Not guaranteed, but the odds were in your favor. Now, it’s tougher than ever to get a book deal.
Brenda Janowitz is the author of SCOT ON THE ROCKS and JACK WITH A TWIST. You can find her at brendajanowitz.com.
Wednesday, January 26, 2011
High, Low and a Resolution
Last summer a good thing happened, something I consider a high point. The phone rang while I was working. It's a testament to how often I'm disrupted by telemarketers that it took a while for it to register on me that the person on the other end of the line was telling me that Crazy Beautiful was a finalist for a state book award. To say I was thrilled would be an understatement. With nearly 20 books published, no book of mine has ever been a finalist for any award.
From the beginning, I mostly was just happy to be nominated, as the saying goes. Since the state award lumps YA and all children's books together, and the other four finalists were all books for much younger children, it seemed just as likely that being Odd Girl Out could work against me as it could work for me.
The day of the award ceremony came and I went with my husband and 10-year-old daughter. I had a pretty new dress and my gold high heels on, feeling pretty spiffy. In advance, I explained to my daughter that if I didn't win, it would not be an occasion for sadness. This was just supposed to be a cool day all around.
When my category came up, the presenter used such glowing words about my book, you should have seen the smile on my daughter's face. Our eyes met and for a moment I know we both believed that I had actually won.
Except I hadn't.
Another name got called and another writer got to have a moment in the sun.
But that was OK! This was no low point for me. There was still the reception to go to! There was going to be wine at the reception!
The wine was fine, as were the hors d'oeuvres. I was still a pretty happy camper. Then I ran into an acquaintance, who'd had a relative who was nominated and failed to win in another category, and the acquaintance said, "The losers are all hanging out over here."
That was the beginning of the low point. As I looked at "the losers" and so many other people in the room, as I signed books later on next to a very unhappy poet, it occurred to me how often we writers are disappointed; how rarely we are capable of saying "This is great!" without following it with "But it's not enough."
The truth of the matter is, there's almost no writing or publishing experience for which the joy isn't tempered by disappointment. We dream so big. We fall so hard. And only one person gets to be J.K. Rowling.
The writer who is always disappointed by something - that's not who I want to be, ever. We, all of us who fight the good fight of writing book after book until we are published, are winners. Yesterday, after many years and many books and three agents, a friend of mine sold a book to a Big Cheese Publisher. The years that she didn't sell, the disappointments that may crop up after the fairy dust blows away - none of that negates the tremendous nature of her accomplishment.
So that's my resolution for 2011: I will not be defined by my disappointments - although I will do my best to learn from them! - and I will be defined by my triumphs, which for the most part involves writing one word after the other until the book is done.
Now it's your turn: What are your resolutions for 2011?
Be well. Don't forget to write.
Tuesday, January 25, 2011
Steering the Course
By Roberta Isleib and Lucy Burdette
Our trusted blog leader suggested that one of the themes this session might be a chronicle of last year's highs and lows. For some reason, that brings nautical analogies to mind--maybe because my new character lives on a houseboat?
I once imagined that the life of a published writer might feel like sailing on the forward deck of an ocean liner--sun shining, glassy seas, a tropical drink beside my lounge chair to toast the newest book. But it didn't take long to learn that a sail on the publishing ocean is anything but calm. One minute my vessel is perched high on the peak of the wave, the next moment she falls with a dizzying drop deep into a trough. This past year was no exception! I'll show you...
TROUGH: After two years of diligent writing, agent suggests the book I finished last year may best be suited for a drawer at the bottom of my desk. Okay, maybe she didn't say it exactly like
this, but I swear the words "reputation" "mine" and "yours" were all used in the same paragraph.
PEAK: Same agent pitched my proposal for the Key West Food Critic mystery series to an editor at NAL. The series is accepted and A TASTE FOR MURDER, written by me as Lucy Burdette, will be published in January 2012.
TROUGH: Trusted writing friend says about my short story drafted for a Mystery
Writers of America competition: "I have to be honest, I don't love it."
PEAK: Same trusted friend offers excellent suggestions for revision. After
rewriting, this same short story "The Itinerary" is chosen for inclusion in THE RICH AND THE DEAD, an anthology edited by Nelson Demille to be published by Grand Central in April.
TROUGH: Editor suggests the name I was born with and have clung to through two marriages must be peeled away.
PEAK: I will be reincarnated as my wonderful, artistic grandmother who died too young: Lucy Burdette.
TROUGH: Every other day it seems we get more bad news about publishing--Borders is in bankruptcy, Barnes and Noble has fired all its buyers, writers are getting new contracts that don't specify there will ever be a "physical book."
PEAK: Writers are writing and readers seem to be reading more, rather than less, whether it's on e-readers or whether it's paper copies.
Personally, I think we're in for some big swells in this business for a while. I keep reminding myself that the only thing I can control is my writing. My plan for 2011? Trim my sails, find true north, hang on to that wheel and let Lucy go.
Roberta Isleib is the author of eight mysteries. Her books and stories have been nominated for Agatha, Anthony, and Macavity awards. Lucy Burdette's first mystery will be published in 2012.
Monday, January 24, 2011
On New Resolutions, Old Habits, and Ugly Bathrooms
A dear friend of mine missed seeing her psychiatrist last week because of a blizzard. She called him and said, “Don’t even think about going in today. I want want you to get hurt.” He said “If you were as nice to yourself as you were to others, your depression would be cured.”
I believe it’s the wisest thing he has ever said and she didn’t have to even drive in snow to hear it.
This relates to my New Year’s resolution, which relates to my writing resolution. I told my husband, “I’m going to try to stop beating myself up all the time.”
As of today, I’ve written several hundred pages on my work-in-progress. Unfortunately, they aren’t one book but several I’ve begun anew, trying to get at that ping I held in my head but couldn’t seem to find on the page. Still, I keep trying, knocking my head against the wall until I finally throw up my hands and decide to start over.
In the meantime, I’ve been stuck in the purgatory of perfectionism, otherwise known as procrastination. My latest obsession?
My master bathroom, which, I hope you will agree from the pictures above, was horrid. (As are my blogging skills since I've spent hours trying to move the before and after pictures down here but cannot seem to do. Apparently, guessing by the HELP forum, I'm not alone. Since I'm writing about accepting imperfections, I'll leave the ugliness be, and leave it to you to figure out which picture is the before and which is the after. I have no certainty when this goes live what the order will be.)
Anyway, back to last month, when I would vascillate between fantasies of renovation and pondering my newest ailment, ADHD.
Even I recognized the irony as as I recently picked up my daughter from school. “How was your writing day?” she asked, knowing how frustrated I’ve been. I explained that I’d spent the morning downloading and reading the book Delivered from Distraction.
“Which you then used to distract yourself,” she said.
True. But what I loved about the Hallowell book, which I highly recommend to all artists, is how he makes an argument that instead of seeing ADHD as a disability, we might think of it as a collection of traits that allow for great creativity and ingenuity, and just plain having fun. The point is to try to cherish those traits and allow ourselves to blossom while acknowledging there are things we can do to try to maintain focus. Structure is important, for example. So is exercise and meditation/prayer and even fish oil tablets.
Can I say in my defense that I tried them all, but the fish oil tabs brought me front-and-center to thinking about those awful brown shells in my grotty grotto of a double shower? Can I also say that I realized my redecorating up until then had always been trying to work with the colors in the room, which I didn’t care for, rather then reverting to those things I loved. I was worried about resale, about neutrality, about matching. Mostly, I was afraid I’d screw things up.
Having had trouble feeling a sense of agency about my work, I decided impulsively, since my husband was going away for a long weekend, to just throw myself into a quick redo. Did I mention impulsivity is one of the hallmarks of ADHD?
The difference between my mindset with this creative venture was my determination to proceed without worrying that I’d make a mistake. Indeed, mistakes are the only way we learn, another tidbit from my recent voyage into self-help-ville. If I screwed things up, I couldn’t really hate it any more than I already did. There was something liberating about how ugly it was to begin with.
Which leads me back for one moment to writing: Anne Lamott’s wonderful guide to writing, Bird by Bird, captures it all when she encourages the reader to just go ahead and write, however awful they think it is. The heading of that chapter: "Shitty First Drafts."
Which segues neatly back to the bathroom remodel. While I was laying the stick-on tiles and lining up Tile Tatoos over brown shells, I had a lot of free time to think. I remembered hearing that intellectual progress requires, oddly enough, relaxation. The NPR scientists explaining this paradox gave an example of a series of puzzles they asked people to solve. By chance, one of the research subjects was a monk, who tried his best but was floundering. Because he was a champ at meditation, he decided to force his brain to relax. Moral? He solved the puzzle in record time.
All of this connects to the resolution I made on January 1st to stop beating myself up. I realized that my tendancy to recall every criticism I’d heard was a form of self-flagellation. The desire for perfectionism, as the movie Black Swan so brilliantly illustrates, is closely tied to self-destructive behaviors like eating disorders, cutting, and so forth. You cannot create with your teeth clenched and your nose to the grindstone. There must be some abandonment and whim.
I have to say, I adore my new bathroom, despite its problems, which include a major mishap of epic proportions. I spilled (or my dog did) the bright blue/purple paint on my bedroom rug, an error I tried to redress with a patch that doesn’t quite match. (I have a great photo but I will not risk inserting it only to find it's taken over this post and eaten it alive. Suffice it to say, my craftsmanship is highly noticable.)
The new bathroom is lurid, I know. But I tell myself I’m in Paris and suggest to my husband that he pretend he’s in a French brothel. The colors make me happy, and send me to a place I’d love to go.
Much like fiction should, at least in my opinion. Having just finished a Man-Booker prize winner that was perfectly done and bored me to tears, I’m going to ‘play on the page’ and try not to worry about the paint I’ll spill along the way. I’m going to allow myself to be messy and mismatched and write the American version of my faux Paris brothel bathroom. It might not be somewhere you'd be proud to be caught, but no one would say it wasn't entertaining.
Sheila Curran is the author of Diana Lively is Falling Down and Everyone She Loved
New Resolutions, Old Habits, Ugly Bathrooms
I believe it’s the wisest thing he has ever said and she didn’t have to even drive in snow to hear it.
This relates to my New Year’s resolution, which relates to my writing resolution. I told my husband, “I’m going to try to stop beating myself up all the time.”
I lied. Knowing something would be good for you is not the same as changing the habit of a lifetime. Much as I try to be as gentle with myself, it’s almost a reflex at this point to be self-critical. It starts with “Why aren’t you writing faster?” and ends with every revision suggested by every editor and any complaints from readers, including the one that says, “Would you please write another book because I’m tired of waiting?” I’m a quick study, but tend to remember the bad and forget the good, turning even left-handed compliments into complaints. Lately, I’ve been so afraid of repeating my mistakes that I freeze.
As of today, I’ve written several hundred pages on my work in progress. Unfortunately, they aren’t one book but several I’ve begun anew, trying to get at that ping I held in my head but couldn’t seem to find on the page. Still, I keep trying, knocking my head against the wall until I finally throw up my hands and decide to start over.
In the meantime, I've been stuck in the purgatory of perfectionism, otherwise known as perfectionism. My latest obsession?
A super-hideous master bath, whose image I've tried to upload five times here but I cannot help but think that GOOGLE must be protecting the viewers. I'll describe it instead. Peach tiles, with interspersed decorative shells in baby-shit brown, beige CARPETING, light boxes constructed from plexiglas and fake redwood trim, and fixtures from a Las Vegas wet dream.
No matter how bad my writing was, the bathroom was an offense from Hell. It must be defeated.
I spent the month of January vascillating between fretting about the bathroom and my newest self-diagnosed ailment, ADHD.
Even I recognized the irony as as I recently picked up my daughter from school.
“How was your writing day?” she asked, knowing how frustrated I’ve been. I explained that I’d spent the morning downloading and reading the book Delivered from Distraction.
“Which you then used to distract yourself,” she said.
True. But what I loved about the Hallowell book, which I highly recommend to all artists, is how he makes an argument that instead of seeing ADHD as a disability, we might think of it as a collection of traits that allow for great creativity and ingenuity, and just plain having fun. The point is to try to cherish those traits and allow ourselves to blossom while acknowledging there are things we can do to try to maintain focus. Structure is important for example. So is exercise and meditation/prayer and even fish oil tablets.
Can I say in my defense that I tried them all, but the fish oil tabs brought me front-and-center to thinking about those awful brown shells in my grotty grotto of a double shower? Can I also say that I realized my redecorating up until then had always been trying to work with the colors in the room, which I didn’t care for, rather then reverting to those things I loved. I was worried about resale, about neutrality, about matching. Mostly, I was afraid I’d screw things up.
Having had trouble feeling a sense of agency about my work, I decided impulsively, since my husband was going away for a long weekend, to just throw myself into a quick redo. Did I mention impulsivity is one of the hallmarks of ADHD?
The difference between my mindset with this creative venture was my determination to proceed without worrying that I’d make a mistake.Sunday, January 23, 2011
Q and A with Caroline Leavitt, author of Pictures of You
“Caroline Leavitt steers readers into a white-knuckle ride of lost love and longing in "Pictures of You," a novel that never disappoints for a second.”
Minneapolis Star-Tribune
Here’s a brief description
Two women running away from their marriages collide on a foggy highway, killing one of them. The survivor, Isabelle, is left to pick up the pieces, not only of her own life, but of the lives of the devastated husband and fragile son that the other woman, April, has left behind. Together, they try to solve the mystery of where April was running to, and why. As these three lives intersect, the book asks, how well do we really know those we love—and how do we forgive the unforgivable?
What is the backstory behind PICTURES OF YOU?
Every novel for me starts out with an obsession. For me, it was my phobia about driving. I have my license, but my dirty little secret is I don't drive at all. I'm always anxious that I am going to cause a car crash! So I decided to write about the thing that terrified me the most--car crashes. I wanted to see how the lives of four different people would collide, so I created Isabelle, the photographer fleeing her philandering husband who has gotten his girlfriend pregnant; April, the wife and mother with a terrible secret; April's asthmatic son Sam, who has a secret of his own; and Charlie, April's husband and Sam's father, who spends the novel desperate to understand what his wife and son were doing in a car with a suitcase three hours away from home.
While I was writing, Sam, the asthmatic 9 year old emerged. I had had a traumatic childhood myself. I was sick with asthma (I'm fine now, it's very mild), and I had a great deal of shame and grief around that time. I never wanted to write about it, but Sam kept coming back into the narrative. The interesting thing is that in the four years it took to write the book, I didn't have any asthma at all! Of course it came back when I turned in the book, but in giving so much compassion to Sam, I healed my own grief.
I was also really interested in the question, how much do we really know about the ones we love? And what do we choose to believe about them? I was also really interested in the whole idea of forgiveness. Can we forgive the unforgivable? And should we?
Did you face any special challenges during the writing of it?
I always struggle with a new book. This one, like all of them, made me worry constantly that I would not be able to pull it off, that I was writing over my head, that I had no idea what I was doing. I always worried that I had no plot or that the characters were getting away from me. I know, though, that I just have to weather those storms and keep writing. That it's all I can do.
I do a lot of detailed synopsis and outlines, which change throughout the writing. I depend on writing friends and constantly email them to try out ideas. I tried to break some rules in this book, like introducing a character 7/8 of the way through the book, who tells his very important story and then disappears, or flash forwarding 20 years, and I was always anxious whether or not I could make this all work the way I so desperately wanted it to.
You've done some screenwriting in the past. How does your background in screenwriting inform your novel writing?
Screenwriting really helped me learn about structure. I began to study character arcs and pacing in a different way than I had before. I also began to think more visually, to understand how a gesture could reveal so much more than a line of dialogue. Screenwriting, too, is all about economy, which is helpful when you're used to writing these big, unwieldy drafts that can be 500 pages. It's helped me hone down the essentials of the story and keep things moving. It's also emphasized to me how important character is, how it's all about (in a Rolling Stones sort of way) the difference between what a character wants and what he or she discovers he or she really needs.
What is your favorite part of the writing process? Your least favorite?
I actually love all of it--even when I hate it. I love when the characters suddenly come alive and they seem to be breathing on the page. That's just magic. I love it when I begin to dream about them and think about them all the time. I also love when the pages make me feel deeply. I've sat over a chapter crying at my desk! My least favorite is at those moments when I feel that I've lost control, that I have no idea what I am doing and all the self-doubt begins to creep in. You start to think, "Oh, I can never finish this. What I'm doing is boring or horrible or worthless." The only way out of it is to hunker down and write more deeply, but it's really uncomfortable and difficult. I've learned that I just have to have faith and that I just have to keep writing.
I am very uncomfortable in the middle of drafts, which is where I am now on a new novel. Nothing seems to be holding together, and sometimes the only thing that keeps me from chucking the whole project is that the initial idea obsesses me so much I just can't let it go!
Who are some of your literary influences and why?
I deeply admire Dan Chaon for the way he explores character. Right now, I am reading everything by Kevin Brockmeier. I love the way he can write about distinctly odd and off-kilter situations, but make it all feel believable and grounded in reality. I'm trying to write about something a bit off-kilter in the novel I want to do after the novel I'm writing now so I'm actively studying his work right now. I also love Elizabeth Strout because her characters are so real.
Caroline Leavitt is the award-winning author of eight novels. Her essays and stories have been included in New York magazine, Psychology Today, More, Parenting, Redbook, and Salon. She’s a columnist for the Boston Globe, a book reviewer for People, and a writing instructor at UCLA online. Visit her at http://www.carolineleavitt.com/
Friday, January 21, 2011
23 Author Promotion Tips: What Works, What's Worthless
I can't really take credit for this, because my publisher set it up, but at two book signings for my recent release, MEET ME IN MANHATTAN, my publisher gave away cupcakes. Offer a tasty treat and the line of eager fans will extend out the door!
Judith Arnold
Promotional – being available on Facebook and Twitter. These two places are where the conversation between readers and authors is really occurring. Biggest loser? Easy - any kind of giveaway, closely followed by a postcard mailing.
Melanie Benjamin
One of the ideas I had the most fun with was the One-Question Interview Blog Tour that I did last spring/summer. I made 60+ stops at various blogs, answering only one question at each stop with no two questions being exactly alike. Bloggers enjoyed it because it was fun, easy and different, and I enjoyed it for the same reasons. I've never followed trends or gone in for postcards/bookmarks etc so I can't think of any that was a complete loser.
Lauren Baratz-Logsted
The promotional idea that I had the most fun with was putting together the Deadly Divas with Denise Swanson and Letha Albright back in 1999. We all had our first mysteries out, and we realized that getting publicity as a new author (without a seven-figure deal) was going to be rough. So we banded together, came up with the Deadly Divas and our slogan, "Nice Women Who Write About Murder," and we toured the country in our feather boas and tiaras. We sent boxes ahead of time to libraries and stores for signings so they could decorate with crime scene tape, spider webs, giant spiders, and all sorts of goodies we bought in bulk after Halloween! We had a St. Louis T-shirt guy (Randy at ColorCreations.net) make up Divas T-shirts for our various tours, and we did a random drawing at each event, giving away signed shirts.
Letha and I retired from the Divas in around 2006 (I think), but they are still going strong, thanks to Denise. It didn't take long for me to realize that promoting as a group with a clever theme really worked...and was a heck of a lot more fun than promoting alone. Just taking the time to put yourself out there, meeting booksellers, librarians, readers, anyone who'll give you a shot, is the most beneficial marketing tool of all.
The worst promotional idea was probably spending money on advertising items, like mouse pads, puzzles, and other things with my book cover on them. I did that for my first book...and never again.
Susan McBride
I used to send out postcards, but I think the return is just not worth it anymore, especially when you add in the cost of stamps and the cards themselves. Plus I used to put a stick on each one saying if I was going to be speaking near them plus a handwritten line.
Or maybe I'm just lazy.
April Henry
The most effective thing I did to promote my books was to start local. Readings, ad on local NPR sponsored by my publisher, a book party/benefit for charities in a big old house downtown. Cost of entrance included a copy of the book, proceeds went to worthy causes and I bought the food and wine. Book festivals are also lovely because the readers WANT to be there.
Worst things: 500 window stickers in the font and colors of my first book, 490 of which are still in their box. Worse, my parents are still driving around five years later with a crooked Diana Lively is Falling Down attached to their rear window. Second worst thing for me was a two hour trip to Jacksonville Borders in the rain to sign books. One person, a woman in her seventies who'd gone to my college and saw the notice on the listserv, came to the event, which I'd publicized the hell out of but between the storm and the fact that this particular Borders was in the middle of nowhere, came to one big fat soppy NADA. As Ann Patchett put it in her Atlantic Monthly article about book tours, titled MY LIFE IN SALES, the only thing worse than going on a book tour is NOT going on one. And there you have it, the introvert's dilemma, wherein we suddenly must wrench ourselves out into the daylight and shout "Hey, look at me! I have a book! It's good! Really, it is really good! Seriously!"
Next go round I plan to hire a surrogate, tall, blond, winsome and gregarious.
Sheila Curran
The most effective: hands down, Twitter. Through tweeting, retweeting, linking, etc., I've met so many authors, book bloggers, readers, booksellers--and countless others in the books and publishing community. Through Twitter, I met the amazing Claire Cook and Beth Hoffman, both of whom I asked to blurb my latest book, The Love Goddess' Cooking School (and both said very kind yeses!). Through Twitter, I've joined online writers groups that help promote the group's books and good news (and lend strong shoulders of support). Through Twitter, I've been asked for review copies of my latest book, I've been asked to guest blog on authors' sites and book blogs and entertainment sites, and I've connected with readers--through all of these outlets--who might not have picked up a book of mine before.
Once you get comfortable on Twitter, it's truly a gift for a writer. (Facebook is also wonderful for all of the above, but I think Twitter is more wide open in terms of reach and possibilities.)
As for least effective, I'm really not sure, since it's hard to really say what doesn't work at all. I recently created a Facebook ad for The Love Goddess' Cooking School, aimed at women over 18 who "like reading books" and are not connected with me on Facebook. In the four days it's been running, the little sidebar ad has been clicked on 31 times (at a cost to me of $1.10 per click with a $50 cap). Supposedly, the ad has been made available to 90,000 pages/profiles, so that's not a lot of clicks! But if 90,000 eyes see my name and cover of my book without clicking, it seems worthy. I think. (Anyone else do one of these ads and can weigh in?) --Melissa Senate
Melissa Senate
It's hard to really know, at least for me, what specifically worked to get my book into the hands of readers . . . and what didn't. I firmly believe, though, that connecting with book clubs was the single best thing I did. And not just because book clubs are fun and usually involve wine. In the six years since my book was released, I've met with 100+ book groups--in person and by phone. Many of these meetings led to meetings with another book club, too. I also would say that becoming friends with your local bookstores is incredibly important (I took cookies to 6 stores in my area the Valentine's Day after my book came out to thank them for all their support . . . one of the stores still mentions it to me when I stop in!). Because of my friendships with bookstore owners/employees, I've gotten invited to participate in book/author events, been recommended to book clubs, gotten front placement for my books, etc.
I'm sure there were things I did that were big flops . . . but I've conveniently forgotten those . . . or never knew what they were to begin with. Ignorance is bliss.
Judy Larson
It's always hard to say what the most effective and least effective things I did to promote my books were-- there's really no way of knowing which promotional efforts of yours yield results. That said, I think today it's really important to have a professionally designed web page, and an email address, linked to your domain, for your readers. Beyond that, I (still) don't know what actually makes readers buy your books. I just try to write the best book I can each time, and then do as much as I can to get the word out there
Brenda Janowitz
Most effective - I think responding to fans directly. In the early days I answered every fan e-mail at length and chatted people who contacted me on fb and weekly on killerfiction.net. Least effective? I wish I'd taken out more ads in RT.
Leslie Langtry
I honestly don't know specifically what's been the most effective promotion I've done; I can't quantify it. I do think that in general being a consistent member of group blogs like this one plus doing Twitter and Facebook bring lots of positive returns. I also try and promote fellow authors as much as I can and this also seems to work out for all concerned.
Wendy Tokunaga
It's really been difficult to track what works and what doesn't. I would say for me going on tour to book stores isn't as effective as going to book festivals and events in which there's already a built-in audience and lots of publicity, etc. I would suggest newly published and soon-to-be published writers check into book festivals and book club events.
I put out an invite to book clubs on my website. I went to just about every book club in my city. I also "attended" numerous via phone call and am doing my first Skype book club meeting on the 22nd. On average about half the members buy the book and the other half borrow it from them or from the library. So my attendance at book clubs kept my novels moving at my local indie and kept them on a waiting list at the library for months on end, which added to the public perception of their popularity and kept word of mouth going. And, I have to say, book clubs are a lot of fun. They almost always wine and dine you, and there's often presents! I've received numerous bouquets, chocolates, tea cups, mugs, pens, journals, book marks, candles, you name it. If nothing else it's good for a writer's soul to mingle with readers.
You will get the occasional member who doesn't like the book. And you may get someone who's downright rude, but I've had way more people share stories with me about how my books touched their lives and when the writing gets rough it's a great reminder about why I do what I do.
Carleen Brice
Mostly, I’m here to take notes. But when I was in the sixth grade, a teacher came up with an innovative fundraiser: selling boxes of light bulbs door-to-door—and now I’ve dated myself, confessing to an era when door-to-door sales were encouraged! Anyway, it was hard work. Light bulbs do not offer much aesthetic appeal. However, compared to the kaleidoscope of possible book promotions, light bulbs were a pretty “clear” idea! I did take out a thumbnail ad on Facebook, noting a jump in referrals to my site. But I have no idea if that’s translating into sales. I’m headed south next week, signing copies of BEAUTIFUL DISASTER in Athens, Atlanta, and Charlotte. So for now, I’ll be using the one-on-one approach, hand selling BD to one reader at a time!
Laura Spinella
Most effective: before my book was released, I had postcards featuring the book cover printed and sent personal notes to every bookstore manager in my state, as well as the cities the characters in my novel visited during their roadtrip. My goal was to make booksellers aware of the book so they'd (hopefully) stock and prominently display it, maybe even handsell. I heard back from several who did just that. (Hooray!) Several invited me to do signings, which had mixed results, but I did discover the magic formula to selling every single book you're hawking in under two hours: lots of drunk people with money to spend!
I was sponsored by a bookseller as part of a local community's Strawberry Festival (and again later during Harvest Fest): they put me at a table along the main drag, next to other sellers hawking their wares (crafts, foods, wine, etc.). We sold out quickly, and I had a ton of fun meeting people. I think the key to a successful signing for a non-marquee author is to do it in conjunction with another event (festivals, farmers' markets, etc), so there are people there, having fun, interacting with you. Even if you don't sell many books at the event, people might remember your cover and pick up a copy the next time they're at the bookstore. While you're at the event, hand out postcards with your info, including blurbs & the book synopsis. That last part is key! Most people don't want to decide whether or not to take a chance on your book while you're staring at them. For their comfort (and my own), I prefer to send them off with the pitch, and many come back later and pick up a copy.
Meeting with bookclubs has also been wonderful; and don't be afraid to talk to strangers! A woman I sat next to on a plane once created a bookclub just to invite me over, and it resulted in 25 sales.
Least effective: I'd like to think that any exposure is good, but there are some readings and signings that are simply going to be busts for a midlister. Screen event invitations carefully.
Jess Riley
I'd give you an answer but I'm a little stymied about how to answer it! It's so complicated! Especially when the truth is not a whole lot works unless your house is behind you doing most of it for you LOL
Jenny Gardiner
Since I am two months out from publication and putting together my own promotion plan, you can believe I'm paying attention and taking notes on this post.
Cindy Jones
Most effective: website, guest blogging, reaching out to online book reviewers
Least effective: book signings, bookmarks!
Nadine Dajani
Really, I think the most effective promotion an author can do is to write the best damn book they possibly can.
Maggie Marr
Most effective things to promote my book? Spending the entire U.S. advance I received for The Opposite of Me, my first book, on promotion. I hired a publicist, took out blog ads, printed up postcards, hired a designer to create a wonderful website, and did as many readings as possible, traveling to nearby cities for book festivals.
Sarah Pekkanen
Boy I wish I knew the right answer to the question about the most effective promotion--because then I could set about doing it for next January's Key West Food Critic mystery series debut! For my first two golf lovers mysteries, back in 2002 and 2003, I had miniature pencils and golf tees printed with the names of the books and my website on them. At night in front of the TV, my family would doggedly stuff little baggies with those items and a bookmark. And then I mailed them all over the world, put them in conference goodie
bags, and carried them with me everywhere. I very much doubt these
were cost effective, but they are collector's items now!
Probably the best publicity I ever got was a four page spread in Sports Illustrated about the golf mysteries and me. This was a result of several years of pitching golf writers at various publications until the right pitch struck the right writer. That led to an avalanche of sales.
I guess the moral of the story is finding the right niche for your (or my) book, and then finding a path in. This time around, could I worm my way into Bon Appetite or Cook's Illustrated? You can bet I'll try!
Roberta Isleib, now writing as Lucy Burdett
Most effective thing I've done: knowing other writers. Many good ideas have come out of this, as well as actual assistance (one novelist got me a mini-review in Woman's World Weekly), as well as support and a sense of what to expect. Knowing others in the profession has allowed me to gather wisdom from those who have much more experience, as well as brainstorm and generate marketing ideas I never would have dreamed of on my own. Also, although it may not have been the best for sales, I found visiting book groups immensely gratifying.
Least effective: Too hard to say! I think everything counts in promotion--getting your name out even to a small group of readers can be useful. That said, I am challenged by self/book promotion on every level and find it an uphill battle, always wishing for a magic marketing fairy godmother!
Sam Wilde
I get a kick out of promoting so I’ve tried it all. Most effective was preparing folders with an excerpt of the book and sending them to various indie booksellers six months in advance of publication. I made sure to personalize all my letters (staff member names book preferences can often be found on web sites.) I enclosed a stamped ARC request postcard and asked for quotes after the book was read. (You can how many I got by visiting the front page of my web site. http://karenneches.com/ Just scroll down a bit.) As a result my novel also ended up being a Booksense Notable.
I’m also not afraid to approach media. (Most media quotes I got were due to my own efforts, including Good Housekeeping. I’ve never been afraid to approach the biggies )
I once used an independent publisher but found it to be a waste of money, because she wasn’t doing anything I couldn’t do myself. Advertising is another story. I once bought an Author Buzz ad and thought it was totally worth the money. My credo on promotion? Nobody will work as hard as you will on your book. I think an author can actually move between 3,000 and 6,000 units entirely from her own efforts. That won’t make you a bestseller, but it may make a difference in whether or not you get a new contract.
I’ve also made plenty of promotion mistakes. I don’t like doing bookstore signings unless I know there will be an audience, but I will do drive-by signings. Also I’ve learned to ask for appearance fees when approached by libraries or other groups with a budget.
Karen Neches
Girlfriend News
The Cougar Club by Susan McBride has sold rights in France and Croatia.
Sarah Pekkanen's Skipping a Beat is already in its second printing and it's not even pubbed yet. It's been chosen for the Doubleday Club alternative pick and Italian rights were sold.
This Little Mommy Stayed Home by Samantha Wilde has just sold to a publisher in Spain. (Last year it sold to a German publisher).
Moonlight Temptation by Stephanie Julian and published by Ellora's Cave is out Friday.