And the story changed again.... by Brenda Janowitz

One summer, when I was single, Grandma Dorothy informed me that she would be renting a house in the Hamptons. No more of these silly share houses I was doing with my friends each summer. They were getting me nowhere (read: still single and over thirty). Instead, I was to stay with her and she would help me meet someone. The only problem with this scenario was that I was sure she’d meet a man before I did. She had sparkling crystal blue eyes and a killer figure. My own hazel eyes and good birthing hips were no match for her easy glamour and style.

When she found out that a Hamptons summer rental costs more than the gross national product of some countries, the idea sort of fell apart. But it gave me an idea—what if a young woman spent the summer out in the glamorous Hamptons with her even more glamorous grandmother?

The idea for my third novel was born.  It would be called RECIPE FOR A HAPPY LIFE, and it would feature an impossibly glamorous grandmother and her not-as-glamorous granddaughter.

Both of my own grandmothers really inspired me to come up with the character of Vivienne, the glamorous widow six times over. Neither was a widow six times over, but both of my grandmothers were very glamorous ladies. When I think of my childhood memories, I’m not likely to picture them in aprons baking cookies. I picture them in evening gowns.

I began to write.  My first two novels would be classified as “chick lit,” which is to say they’re smart, funny novels with heart about a single girl living in the city. And that’s exactly what I was at the time. But just as I’ve grown up, my writing has grown up, too.

RECIPE FOR A HAPPY LIFE is different from my first two novels in so many ways. In my first two books, I was really focused on writing a funny story. The sort of book that would make you embarrass yourself in the subway from laughing (I’ve gotten that email from numerous readers and it makes me smile each time someone tells me that!). The sort of book that could make you forget your problems for an afternoon (two different people read my second novel while getting chemo and told me that it helped them to keep a smile on their faces through an awful situation). The sort of book that’s just meant to be read on a plane, or a bus, or a beach (you could also read them on a subway, on a train, or by a lake. I don’t discriminate.).

With RECIPE FOR A HAPPY LIFE, I was looking to do something different. Something more grown up. Something deeper. The idea for the book—a granddaughter and her grandmother out in the Hamptons for the summer—was originally played for laughs. Much was made of the fact that the grandmother meets a man before her granddaughter does.  But the book changed.

I did the first major overhaul of the novel while I was pregnant with my first son. Everything was different for me—I was changing as a person, my voice was changing, and so, too, did this novel. I began thinking more deeply about the ties that bind mothers and children, grandmothers and grandchildren. How we hurt each other. How we can forgive. What that means.

When I was six months pregnant and almost finished writing the book, my mother was rushed to the hospital for emergency open-heart surgery. It was the most harrowing 24 hour period of my life (until I had kids, but that’s another story entirely), and even though my mother made a full recovery, it took me a long time to recover myself. It was the same time that I was writing a death scene for RECIPE and it was impossible to write. I was still so scared from almost losing my mother. I wrote it quickly, tried to get through it quickly, and one of my first readers, author Lynda Curnyn, called me out on it. She told me that this wasn’t the time to write a death scene. I needed time away from it. I needed to heal. I needed to process.

She was right. It took me another year until I was able to get the scene right. And the book changed again.

RECIPE became another book entirely, and I’m happy about that.  I’m always happy to follow the story, see where characters lead me, get lost in the craft of writing.




I’m the author of SCOT ON THE ROCKS, JACK WITH A TWIST, RECIPE FOR A HAPPY LIFE, and THE LONELY HEARTS CLUB.  My short story, HOLLYWOOD PUNCH, will be released on September 2nd.


My work’s also appeared in the New York Post and Publisher’s Weekly. You can find me at brendajanowitz.com or on Twitter at @BrendaJanowitz.

Author Interview: Jamie Brenner AND a sneak peek at her latest, RUIN ME! by Brenda Janowitz

One of the great things about being an author is that you get to meet lots of other authors.  Today, I'm interviewing the fabulous Jamie Brenner.  And she's giving us a sneak peek of her latest novel, RUIN ME.  I'm a huge fan of Jamie's work-- I talked about her fabulous novel, THE GIN LOVERS, this past February, and now with RUIN ME, she's got another smart, sexy page turner on her hands.

I know that the second you read this excerpt, you are going to hop online and order your copy of RUIN ME-- but, before you do that, let's talk to Jamie first!

Tell us about your latest release in 25 words or less

Ruin Me is a star-crossed love story between an art gallery heiress and a lawless street artist.

Where did you get the inspiration for RUIN ME?

About a year ago, I watched a documentary called Exit Through the Gift Shop about a mysterious British artist named Banksy. He became famous by painting the sides of buildings under the cover of night, producing beautiful art that was meant to provoke and inspire. He ultimately went on to create sculpture installations, and sneaking his artwork onto the walls of major museums. Most of what he did was illegal, but his artwork has become so valuable that building owners no longer complain when their property is “vandalized” by Banksy. But he is just one man in a long, thrilling tradition of street art. And it’s a tradition that inspired the hero of my latest novel, a reclusive street artist who goes by the name GoST.

If you weren’t a writer, what would you be?

A make-up artist. I worked at cosmetics counters in college and for the first year I graduated. If I could have figured out how to have a career like Pat McGrath, I would have done it.

What are you working on right now?

I’m working on a novel about three sisters and a triple wedding.  I thought street art dramatic and risky – until I delved into the world of wedding planning!

RUIN ME

by Jamie Brenner

Chapter 1

There’s a thing that happens at these art gallery parties filled with the beautiful people. Everyone orbits the room pretending not to look at the one person they all want to notice them. They pretend that her glance isn’t the ultimate prize.

I’ve been playing this game my entire life.

The owner of New York’s most prestigious art gallery, she is a pale-skinned, willowy brunette, wears dark-red matte lipstick, and is dressed in all white. There are several ropes of pearls around her neck and a cigarette in her hand—even now, when no one smokes in public anymore. She’s like a living photo from the past, Coco Chanel or Dovima. She is timeless but perfectly of this moment. Elegant, powerful, elusive.

She’s my mother.

“You should stand closer to him so you get in some of the photos,” she says to me so quickly and quietly no one else would have heard.

I immediately cross the room. I’m a junior at NYU, an art major, and girlfriend of one of the hottest up-and-coming painters in New York. But around my mother, I’m still the six-year-old who ignored her warning never to use the scissors without her permission, only to cut my own bangs and ruin my hair for a year.

Hoping to satisfy her, I stand closer to my boyfriend, Brandt. It’s not even his night, but he looks like the star. And in three months, he will be: It will be his paintings on the walls, his sound bites the journalists and bloggers want. But for now, New York magazine just wants a photo of us together for their party section.

“I’m going to get some fresh air,” I whisper to him, uncomfortable with the attention. It’s late, close to midnight by now. He looks at me, his blue eyes shiny, his cheeks flushed from excitement and wine. He is talking to the showing artist, Dustin McBride, whom my mother just poached from Vito Schnabel’s gallery.

A few months ago, Dustin wouldn’t have given Brandt the time of day. But now Brandt is part of the club. Not just an “emerging” artist but one about to have his first one-man show with Anna Sterling.

“I’ll go with you,” Brandt says, but I know he doesn’t mean it. He’s high from all the attention, buzzing with it. Hovering close by is Inez Elliot, my mother’s trusted gallery director and probably the coolest girl I know. She has pale coco skin and bleached blond hair offset by dark eyebrows—Rita Ora on steroids. I smile at her; she looks away.

Other women are circling—the art groupies, the hipster writer from The Times, and even the new “it” girl model with her heart-shaped lips, pink-edged blond hair, and stud in her nostril. Brandt drinks it all in. He was made for this.

“I’ll be right back,” I tell him.

Outside, I gasp with relief when I feel the humid June air. The streets of SoHo feel like they are running on different oxygen than the freezing gallery. For the first time in hours, my goose bumps disappear.

This wasn’t how my summer was supposed to go, I thought while crossing Greene Street. I’d wanted to be spending this week packing for a trip to Spain with my roommate, Niffer. We’d spent months planning our trip and even knew where we would eat dinner our first night—Els Pescadors, for tapas. It’s where Niffer met her boyfriend, Claudio, last summer. He still works there.

Now Niffer is going without me, thanks to my mother.

I inhale the summer air greedily and walk slowly down West Houston Street in my impractical shoes and sheath dress. The initial elation of escaping the party turns sour as I start to perspire. I’m exhausted.

I always imagined working at the gallery alongside my mother. Dreamed of it, actually. I knew it was my future. But now that she wants me to start this summer, it feels all too soon.

But, I can’t say no to my mother—I never have. And now I’m paying the price for it. Keeping up with her breakneck work ethic is going consume the next two months of my life, as it has consumed all of hers. She only took time off from the gallery twice in twenty-five years: when I was born, and then six months later, when my father killed himself.

My phone vibrates in my dangly, beaded vintage clutch. A part of me dares to hope that it’s Brandt, saying that he wants to get some air, too. “Let’s get pizza,” or more likely, “Let’s fuck.”

I pull the phone out. It’s my mother. “Where are you? Richard wants a quote from you.”

“From me?” Richard is the art critic for The New York Times.

“Yes, Lulu.”

“I’m outside. I just needed some fresh air. I’ll be back in a minute.”

I dutifully turn to head back to the gallery. And that’s when, out of the corner of my eye, I see something.

I look up. Sure enough, on the side of a building, ten stories above the street, a man dangles from a harness. One arm is perfectly still, the other is waving in sharp, methodical sweeping motions. He is holding a stencil in one hand, spray-painting with the other.

I watch, rooted in place, mesmerized as swaths of paint start to form an image. It’s a dark-haired woman. The spray can leaves a trail of colors to form a blue shirt with capped sleeves and a long yellow skirt. The woman’s body appears to wilt, her arm falling to her side. I take in the image from top to bottom. It’s Snow White. She’s beautiful, vulnerable, falling into the legendary sleep that will only be broken by her prince.

He moves quickly, now painting near Snow White’s limp hand. His body blocks my view. Finally, he pushes back on his feet, moving away from the painting. It is now complete, with a poisoned apple dropping from her limp hand.

But it’s not just any apple—it’s the tech company logo.

I gasp. It’s the most exciting piece of art I’ve seen all night, and it’s on the side of a building.

Suddenly, the can of spray paint falls from his hand. It seems to happen in slow motion, tumbling over and over, until it hits the sidewalk with a tinny crash.

The noise attracts other people, and a small crowd gathers at the base of the building. People are pointing. And then, nearby, the wail of a police siren.

But he is not finished yet. With quick, efficient circular motions of his arm, he claims the painting, tagging the piece with the name GoST. And I realize I am witnessing the artist whose brilliant, politically-edged stencil paintings have been popping up all over walls and billboards in SoHo and the Village. A thrill runs through me.

And just like that, he is gone.

Copyright © 2014 by Jamie Brenner

About the author:

Jamie Brenner is the author of THE GIN LOVERS, chosen by Fresh Fiction as one of their Top 13 Books to Read in 2013. Jamie also writes erotic fiction under the name Logan Belle. Her debut novel, BLUE ANGEL, was the first in an erotic trilogy published by Kensington, followed by the erotic romances NOW OR NEVER, THE LIBRARIAN and MISS CHATTERLEY. Her novels have been translated into a dozen languages. She lives in Manhattan, blogs for Romance at Random and Heroes & Heartbreakers, and is busy raising two daughters who aren't allowed to read her books. To read more or contact her, visit jamiebrenner.com or follow her @jamieLbrenner

BUY THE BOOK!!



I’m the author of SCOT ON THE ROCKS and JACK WITH A TWIST. My third novel, RECIPE FOR A HAPPY LIFE, was published by St. Martin's on July 2, 2013. My fourth novel, THE LONELY HEARTS CLUB, was published by Polis Books on May 6, 2014.

My work’s also appeared in the New York Post and Publisher’s Weekly. You can find me at brendajanowitz.com or on Twitter at @BrendaJanowitz.

A Mother's Day treat: an exclusive sneak peek from Jamie Brenner's new novel, RUIN ME! by Brenda Janowitz

Happy Mother's Day!  I'm so thrilled today because we've got one of my favorite authors here, the fabulous Jamie Brenner.  She's giving us a sneak peek of her latest novel, RUIN ME.  I'm a huge fan of Jamie's work-- I talked about her fabulous novel, THE GIN LOVERS, this past February, and now with RUIN ME, she's got another smart, sexy page turner on her hands.

I know that the second you read this excerpt, you are going to hop online and order your copy of RUIN ME-- I'm about 1/3 of the way through and it's beyond fabulous-- but, before you do that, let's hear from Jamie first!

THE MOTHER'S DAY DIVIDE

by Jamie Brenner

Hallmark doesn’t make a Mother’s Day card that reads, “Thanks for being so controlling! In my rebellion, I fell in love in love with someone completely inappropriate – but totally hot.”

I’m thinking maybe they should – because a lot of us have been there.

In a perfect world, mothers are wise creatures who guide us by love and example. And in this perfect world, daughters only emulate their and make them proud. But in reality, we often have to distance ourselves from our mothers to define ourselves, even if just temporarily. Who hasn’t pushed back against a curfew, a dress code, disapproval over a boyfriend? Ideally, these are temporary hiccups. But in some cases, mothers and daughters are so opposite, the divide defines their entire relationship.

In RUIN ME, my heroine needs to step out of the long shadow of her famous mother. Anna Sterling is a powerful art dealer who expects her daughter to follow in her footsteps, and Lulu, a senior at NYU, has her own ideas about art – and life. When Lulu finds her passion and ideas embodied in a mysterious, bad-boy street artist known as GoST, things get dicey. (See above-mentioned Hallmark card).

As I celebrate Mother’s Day, I think about my own bumps in the road – the ones that are behind me, and the ones that are ahead now that I’m on the other side of the fence. Judging from my teenage daughter, I expect I’ll have fodder for at least another book or two on this subject. Maybe more.

RUIN ME

by Jamie Brenner

Chapter 1

There’s a thing that happens at these art gallery parties filled with the beautiful people. Everyone orbits the room pretending not to look at the one person they all want to notice them. They pretend that her glance isn’t the ultimate prize.

I’ve been playing this game my entire life.

The owner of New York’s most prestigious art gallery, she is a pale-skinned, willowy brunette, wears dark-red matte lipstick, and is dressed in all white. There are several ropes of pearls around her neck and a cigarette in her hand—even now, when no one smokes in public anymore. She’s like a living photo from the past, Coco Chanel or Dovima. She is timeless but perfectly of this moment. Elegant, powerful, elusive.

She’s my mother.

“You should stand closer to him so you get in some of the photos,” she says to me so quickly and quietly no one else would have heard.

I immediately cross the room. I’m a junior at NYU, an art major, and girlfriend of one of the hottest up-and-coming painters in New York. But around my mother, I’m still the six-year-old who ignored her warning never to use the scissors without her permission, only to cut my own bangs and ruin my hair for a year.

Hoping to satisfy her, I stand closer to my boyfriend, Brandt. It’s not even his night, but he looks like the star. And in three months, he will be: It will be his paintings on the walls, his sound bites the journalists and bloggers want. But for now, New York magazine just wants a photo of us together for their party section.

“I’m going to get some fresh air,” I whisper to him, uncomfortable with the attention. It’s late, close to midnight by now. He looks at me, his blue eyes shiny, his cheeks flushed from excitement and wine. He is talking to the showing artist, Dustin McBride, whom my mother just poached from Vito Schnabel’s gallery.

A few months ago, Dustin wouldn’t have given Brandt the time of day. But now Brandt is part of the club. Not just an “emerging” artist but one about to have his first one-man show with Anna Sterling.

“I’ll go with you,” Brandt says, but I know he doesn’t mean it. He’s high from all the attention, buzzing with it. Hovering close by is Inez Elliot, my mother’s trusted gallery director and probably the coolest girl I know. She has pale coco skin and bleached blond hair offset by dark eyebrows—Rita Ora on steroids. I smile at her; she looks away.

Other women are circling—the art groupies, the hipster writer from The Times, and even the new “it” girl model with her heart-shaped lips, pink-edged blond hair, and stud in her nostril. Brandt drinks it all in. He was made for this.

“I’ll be right back,” I tell him.

Outside, I gasp with relief when I feel the humid June air. The streets of SoHo feel like they are running on different oxygen than the freezing gallery. For the first time in hours, my goose bumps disappear.

This wasn’t how my summer was supposed to go, I thought while crossing Greene Street. I’d wanted to be spending this week packing for a trip to Spain with my roommate, Niffer. We’d spent months planning our trip and even knew where we would eat dinner our first night—Els Pescadors, for tapas. It’s where Niffer met her boyfriend, Claudio, last summer. He still works there.

Now Niffer is going without me, thanks to my mother.

I inhale the summer air greedily and walk slowly down West Houston Street in my impractical shoes and sheath dress. The initial elation of escaping the party turns sour as I start to perspire. I’m exhausted.

I always imagined working at the gallery alongside my mother. Dreamed of it, actually. I knew it was my future. But now that she wants me to start this summer, it feels all too soon.

But, I can’t say no to my mother—I never have. And now I’m paying the price for it. Keeping up with her breakneck work ethic is going consume the next two months of my life, as it has consumed all of hers. She only took time off from the gallery twice in twenty-five years: when I was born, and then six months later, when my father killed himself.

My phone vibrates in my dangly, beaded vintage clutch. A part of me dares to hope that it’s Brandt, saying that he wants to get some air, too. “Let’s get pizza,” or more likely, “Let’s fuck.”

I pull the phone out. It’s my mother. “Where are you? Richard wants a quote from you.”

“From me?” Richard is the art critic for The New York Times.

“Yes, Lulu.”

“I’m outside. I just needed some fresh air. I’ll be back in a minute.”

I dutifully turn to head back to the gallery. And that’s when, out of the corner of my eye, I see something.

I look up. Sure enough, on the side of a building, ten stories above the street, a man dangles from a harness. One arm is perfectly still, the other is waving in sharp, methodical sweeping motions. He is holding a stencil in one hand, spray-painting with the other.

I watch, rooted in place, mesmerized as swaths of paint start to form an image. It’s a dark-haired woman. The spray can leaves a trail of colors to form a blue shirt with capped sleeves and a long yellow skirt. The woman’s body appears to wilt, her arm falling to her side. I take in the image from top to bottom. It’s Snow White. She’s beautiful, vulnerable, falling into the legendary sleep that will only be broken by her prince.

He moves quickly, now painting near Snow White’s limp hand. His body blocks my view. Finally, he pushes back on his feet, moving away from the painting. It is now complete, with a poisoned apple dropping from her limp hand.

But it’s not just any apple—it’s the tech company logo.

I gasp. It’s the most exciting piece of art I’ve seen all night, and it’s on the side of a building.

Suddenly, the can of spray paint falls from his hand. It seems to happen in slow motion, tumbling over and over, until it hits the sidewalk with a tinny crash.

The noise attracts other people, and a small crowd gathers at the base of the building. People are pointing. And then, nearby, the wail of a police siren.

But he is not finished yet. With quick, efficient circular motions of his arm, he claims the painting, tagging the piece with the name GoST. And I realize I am witnessing the artist whose brilliant, politically-edged stencil paintings have been popping up all over walls and billboards in SoHo and the Village. A thrill runs through me.

And just like that, he is gone.

Copyright © 2014 by Jamie Brenner

About the author:

Jamie Brenner is the author of THE GIN LOVERS, chosen by Fresh Fiction as one of their Top 13 Books to Read in 2013. Jamie also writes erotic fiction under the name Logan Belle. Her debut novel, BLUE ANGEL, was the first in an erotic trilogy published by Kensington, followed by the erotic romances NOW OR NEVER, THE LIBRARIAN and MISS CHATTERLEY. Her novels have been translated into a dozen languages. She lives in Manhattan, blogs for Romance at Random and Heroes & Heartbreakers, and is busy raising two daughters who aren't allowed to read her books. To read more or contact her, visit jamiebrenner.com or follow her @jamieLbrenner

BUY THE BOOK!!



I’m the author of SCOT ON THE ROCKS and JACK WITH A TWIST. My third novel, RECIPE FOR A HAPPY LIFE, was published by St. Martin's on July 2, 2013. My fourth novel, THE LONELY HEARTS CLUB, was published by Polis Books on May 6, 2014.

My work’s also appeared in the New York Post and Publisher’s Weekly. You can find me at brendajanowitz.com or on Twitter at @BrendaJanowitz.