So what
happens when you have a character show up in the first book of your 4-part
series who is so annoying and unlikeable reviewers call him "a complete
and utter PITA"? (Yes, I had to look it up, too. P I T A = pain in the
arse...as my mother would have said.)
Well...naturally,
you make him your next HERO, of course.
In
Cowgirl Come Home, my hero's brother, Austen Zabrinski, shows up repeatedly.
He's...um...difficult. He has attitude. Tell me if this sounds like a hero to
you?His name had been in the Courier every week since he was MVP in at least three sports. All the girls wanted to date him, although he never had a steady that Bailey could remember. He gave the class speech at graduation. She knew that for a fact because she'd been selected as one of the four freshman girls to pass out programs at the door.
She'd listened closely because he had the audacity to buck the system, showing up with his longish hair artfully tousled, a movie-star goatee and bare ankles, hinting that he was wearing shorts under his gown.
At the time, Bailey had been impressed.
Now, not so much. She'd met more than her share of promoters, lawyers and wealthy stockmen over the years. And one thing she knew for certain was money did not automatically signify class.
More nervous than she had been when she left the house, she walked slowly and deliberately, trying not to limp.
Show no weakness. She couldn't remember if the adage applied to wild animals and lawyers, or just lawyers.
Thank goodness I called in an order. She could pick it up and run. No need to bring up the ridiculous idea of going on a date. No harm, no foul.
She went straight to the cash register, not looking right or left. "Bailey Jenkins. To-go," she told the young woman behind the till.
The girl--about sixteen working her first summer job, Bailey guessed--spun about and dashed to the kitchen window, where a clothesline of white orders were strung.
"Ironically appropriate, don't you agree? A To-Go order. Your modus operandi, no?"
She turned, her purse clutched to her belly--bling side out, as if the glitter might magically ward off the attack she sensed coming. "I beg your pardon?"
Austen had changed since the cocky kid at the school podium. More than the expensive suit and cover-model haircut, his style shouted, "Warning: rich, influential, angry man with agenda. Look out."
He leaned in. Not so his words were kept between them. No. In fact, he spoke loudly, with succinct clarity so the entire jury of her peers could hear. "It's not my pardon you need to beg, Bailey. It's my brother's."
I know.
Right? A complete and utter jerk. So, what on earth would possess an author to
pick such an unlikable character to make her next hero?
I wish
I could tell you. I honestly don't know. But I will say I found Austen
intriguing. I wanted to know why he was so caustic, so judgmental. I loved his
brother, Paul, so much I figured if Paul was so great surely there was some good,
something redeemable in Austen.
And I
learned a long time ago, while working with my first editor, that sometimes you
don't have any choice about who your characters choose to love.
My
third Harlequin Superromance is called Back In Kansas.
This is a spin-off from a book titled His Daddy's Eyes. The hero, Bo, is a recovering alcoholic. And in the course of writing His Daddy's Eyes, he proved to be a very annoying character because he constantly wanted to be on center stage. I hate to admit this to non-writers, but there came a time when I said out loud, "If you want to be a hero, you can be a hero in the next book. Now, back off and be a good secondary character so I can finish this book."
As
strange as that sounds, he did. So, when I was working on my next proposal, I talked
to my editor about who I thought would make a good heroine for Bo. She
hesitated a moment and said, "But, obviously he's in love with Claudie."
It was
my turn to hesitate a moment or three. "But Claudie is a reformed
prostitute," I reminded her.
My
editor replied, nonchalantly, "I'm sure our readers are evolved enough to
know that not every character comes to a story with an unblemished past."
The
voice in my head is freaking out. "There's
blemished and then there's prostitute!"
To my
editor, of course, I said, "Okay. Let's give that a try. "
What
came out of that collaboration was a story that scared me to death to write but
connected powerfully with readers. And from that point on, I no longer was
afraid of unredeemable characters.
The fact
is every one of us has our not-so-heroic moments. We're human. Maybe that's
what makes the difficult ones--real and imagined--easy to relate to.
Austen Zabrinski
is very human. When we meet him in
Cowgirl Come Home, he's going through an extremely tough time (off screen).
He's at a crossroads in his life and he's questioning whether everything he's
done to that point was for naught. We don't know any of this until he shows up
on my new heroine's doorstep needing help. Luckily, as fate would have it, she
is the perfect person to help him figure out exactly where he needs to be and
who he really is.
I love
it when that happens. Don't you?
Tell
me, as a reader, do you like it when a character surprises you? Can you recall
any characters that grew on you? I'll choose a random winner from all who reply
to win a $10 gift certificate from Amazon, PLUS a free, digital copy of Cowgirl Come Home or the 12-author bundle Summer Escape.
PS: the
title of this blog made me think of Englebert Humperdink's 1985 hit Please
Release Me. Here's the link in case you need a laugh. http://youtu.be/6S9ecXWCBCc I'm still giggling.
Nobody's Cowboy will be out August 29!
From award-winning journalist to
nationally bestselling author with 26 published novels for Harlequin's
Superromance and American lines, Debra Salonen brings humor and heart to her
stories. She was named Romantic Times Reviewer's Career Achievement
"Series Storyteller of the Year" in 2006. Her popular Indie release,
Are We There Yet, has been called "laugh-out-loud funny, poignant and just
plain fabulous!" Cowgirl Come Home, her newest release for Tule
Publishing, is a full-length novel set in Montana.












