by Sara Rosett
I love research. I could do it
forever. It’s a great procrastination technique. While trolling Facebook or
Pinterest is hard to justify during my writing hours, researching art nouveau
Paris Metro signs is much easier to
rationalize.
I usually do my research through the library and the Internet,
but I now have a new favorite sub-set of the research phase: the research trip.
I’ve just returned from a short research trip to Paris. I’m
working on DECEPTIVE, the third book in the On The Run series, which features suspense, mystery, international destinations, and a dash of romance.
I’d already roughed out the Paris section of the book, and
it was interesting to see what changed after a first-hand look at the city. I’d
been lucky enough to visit Paris once before several years ago, so I’d relied
on memory, guidebooks, and my photos.
I’d described my main character, Zoe, holding onto a ceiling
strap during a ride on the crowded Metro. The Metro was indeed packed, and the
basics of the transportation lines were right, but I had one thing off. Turns
out that the Metro trains I used (which my main character will also be on)
don’t have straps.
I’d also described Zoe getting her first glimpse of the
Eiffel Tower when she emerged from the École
Militaire station, which should have been possible according to the map,
but when I surfaced from that station all I could see where five- and six-story
buildings, a tangle of roads converging, and several sidewalk cafes. The sound
of a jackhammer echoed over the whole scene from a nearby building under
renovation. Not very romantic, but realistic. However, I did find a Metro with
a perfect view of the Eiffel Tower, the Alma
Marceau.
Some things I had spot-on, like the twin beams of light that
shine from the Eiffel Tower at night as well as the delicious food. Much
sampling was necessary on the Rue Cler
to ensure I had the food part just right. :)
DECEPTIVE is about a search for a missing Monet painting, so
I spent time at the Musée d’Orsay,
taking in everything I could: the
thickness of the brushstrokes, the size of the canvases, and the size, shape,
placement (and sometimes absence) of Monet’s signature.
I love Impressionist
paintings, and I have to say that seeing them first-hand is a completely
different experience than looking at them in a book or on-line. I was amazed at
the difference a few feet made in the viewing experience. Up close, the
brushstrokes dominated in splats or dots of color; a few steps back and—viola!—the cathedral had depth and
detail. It was amazing, almost like a hologram.
| I wish this was a Monet painting! Photography wasn't allowed. :( |
The Louvre makes a brief appearance in my book, but only the
exterior courtyard with the glass pyramid, so I really didn’t have to spend a
whole day inside. But I did.
What can I say? I love museums almost as much as I love research.
I’m sure I can use it in a book someday…
~Sara
When not plotting new books
that require research trips, Sara writes mystery (Ellie Avery series) and
suspense (On the Run series). Deceptive, On the Run Book #3, will be out
this summer. The first two books in the series, Elusive and Secretive
are available now on Kindle, Nook, iTunes, and Kobo. Publishers Weekly called Sara’s books,
"satisfying," "well-executed," and "sparkling."
Sara loves all things bookish,
considers dark chocolate a daily requirement, and is on a quest for the best
bruschetta. Connect with Sara at www.SaraRosett.com.
You can also find her on Facebook, Twitter, Pinterest, or Goodreads.

