Like most people
I’ve been fascinated (and saddened) by the mystery of the Malaysian airliner
that went missing on March 8. And I’ve also been intrigued by the speculation
on exactly what might have happened. Because of the extraordinary situation and
the fact that so much is unknown, 24/7 cable news outlets like CNN have been
piling on the theories with little or no hard information to back them up. Suppositions
and assumptions are the name of the game and ratings only increase as tantalizing
new scenarios are pulled out of a hat.
Did the jet turn
into a “ghost” or “zombie” plane? Was it struck by a meteor? Or what if it were
sabotage by the pilot? After all, he had a flight simulator at home. Had he
rehearsed this scenario weeks or months before? Was he in cahoots with
terrorists who wanted to use the plane for nefarious purposes at a later time?
Did he land the jet at a hidden airstrip in a top-secret location? What if the
passengers were still alive but unable to contact loved ones?
And what about
that mysterious phone call the pilot made right before the plane took off? He
also had close ties with an opposition leader in Malaysia who had recently been
arrested on a sodomy charge that could have been a frame-up by those currently
in power. And what about the fact that his family moved out of their house the
day before the incident? Did he have serious personal problems that led him to commit
suicide and cause an intentional crash?
Or was he a
hero? Did he divert that plane off course because of smoke or some other
problem in the cockpit to get closer to where he could make an emergency
landing? Did he fly at a lower altitude, not to avoid detection, but to try and
save the lives of the passengers?
These theories
and unanswered questions remind me of what I do when I’m brainstorming plot points,
character motivations, conflicts and complications for a novel. I open up a
document and write a series of “what if” and “why” questions. Then I’ll put it
away and read it another day and add to the list. At this point nothing is too
outlandish to delete; I just let my imagination run wild. Eventually I pare it
down to something more focused and throw out what I don’t need. While it might
not work for every writer, it’s what works for me.
I’m not so sure
it works well for the news. And, of course, I’m dealing with fiction.
Girlfriends, do
you use brainstorming techniques when you write your novels? Do you think
there’s a place for theorizing on the news?
Find me at:
Twitter:
@Wendy_Tokunaga








